Dan Rosenboom Signature BOOM★ Model Trumpet Mouthpiece
We are proud to present the all-new BOOM★ trumpet mouthpiece, a collaboration between renowned trumpet artist Dan Rosenboom and the expert craftsmen at Bob Reeves Brass. This exceptional mouthpiece is the result of our continuous efforts in advancing acoustic design and our ongoing partnership with Dan, ensuring an ever-evolving and refined product that surpasses expectations.
“The all-new BOOM★ mouthpiece delivers a rich sonic profile, quick response and articulation, and fluid efficiency across the entire range of the trumpet for maximum creative flexibility in any musical situation.” - Dan Rosenboom
Building on the success of our first collaboration with Dan, the BOOM★ takes trumpet performance to the next level. By making subtle yet crucial changes to the design, we have achieved a mouthpiece that offers an unparalleled playing experience.
- Reeves 43.5 rim
- Medium-Deep conical cup
- 24 bore
- BOOM ★ Backbore
- 4.5 shank size
This innovative mouthpiece is a testament to the power of collaboration and the pursuit of perfection. By combining the insights and expertise of Dan Rosenboom with our cutting-edge acoustic design technology, we have crafted a trumpet mouthpiece that not only meets the demands of today's musicians but also sets the standard for the future.
Experience the BOOM★ difference and elevate your performance with a mouthpiece designed for those who demand the very best. Unleash your creativity and master the full range of your instrument with the BOOM★ trumpet mouthpiece by Bob Reeves Brass.
About Dan Rosenboom
Dan Rosenboom is an internationally recognized trumpet player, composer, and producer. He is known as a prolific member of the Los Angeles creative music scene, having released more than 25 albums of original music as a solo artist and bandleader and has supported over 60 artists across nearly 90 releases on his label, Orenda Records. Rosenboom frequently performs in Hollywood Studios for major film and television soundtracks, highlighted by the latest Star Wars trilogy, with such notable composers as John Williams, Danny Elfman, James Newton Howard, Alan Silvestri, and Alexandre Desplat. He has also performed often with such elite ensembles as the LA Philharmonic, the LA Chamber Orchestra, and the LA Opera. His own music eschews genre distinctions and draws from such disparate influences as jazz and Black American Music, metal and experimental rock, contemporary classical music, folk music from around the globe, and a broad range of progressive music from the avant-garde. He studied at the Eastman School of Music, CalArts, and UCLA, where he earned advanced degrees in music. The Los Angeles Times has called Dan Rosenboom “a musician dedicated to exploration and expression, regardless of anyone’s imagined boundaries,” and “a phenomenon.”
As a composer, Rosenboom has been recognized with grants and awards from the American Composers Forum, ASCAP, the Meet the Composer Foundation, and the Yvar Mikhashoff Trust for New Music. As a bandleader, he has brought his music to such renowned stages as the Monterey Jazz Festival, Angel City Jazz Festival, Jazzfestival Saalfelden and Jazz em Agosto. Working closely with LA icon Vinny Golia, and with his own Balkan jazz-rock group PLOTZ!, and improv band DR. MiNT, as well as many other projects, Rosenboom has solidified his place as a pillar in LA’s music community.
Rosenboom’s iconoclastic protest band Burning Ghosts has drawn international attention for their rousing blend of experimental jazz, punk, and metal as response to modern socio-political ills. To date they have released four albums, including one on John Zorn’s legendary Tzadik label, and have toured in the US and Europe. In a review of their self-titled debut, Something Else Reviews dubbed them “the Rage Against the Machine of jazz.”
Rosenboom is an advocate for progressive music education. He currently teaches at UCLA and Pasadena City College, and his own pedagogy book, The Boom Method: Universal Fundamentals for Trumpet and Other Instruments, Vol. 1, was published by Balqhuidder Music in 2019. His writing has also been published in John Zorn’s Arcana IX: Musicians on Music on Tzadik.